From Friday 23 to Thursday 29 February 2024 - Salle Garnier de l'Opéra de Monte-Carlo
Opera : Mascagni & Puccini - Cavalleria rusticana & Gianni Schicchi
Conductor Speranza Scappucci
Director Grischa Asagaroff
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The Friday, February 23, 2024 , to 20h
Gala
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The Sunday, February 25, 2024 , to 15h
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The Tuesday, February 27, 2024 , to 20h
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The Thursday, February 29, 2024 , to 20h
Melodramma in one act
- Music by Pietro Mascagni (1863-1945)
- Libretto by Giovanni Targioni-Tozzetti et Guido Menasci, based on the short story of the same name by Giovanni Verga
- Premiere : Teatro Costanzi, Roma, 17 may 1890
Comic opera in one act, from’Il trittico
- Music by Giacomo Puccini (1858-1924)
- Libretto by Giovacchino Forzano, based on one episode of the Chant XXX de L’Enfer (La Divine Comédie) by Dante
- Premiere : Metropolitan Opera, New York, 14 december 1918
New production
Since innovation is not a crime, these two works, which are not often seen together, will be the object of a new production by director Grischa Asagaroff: Cavalleria rusticana, the founding opus of the verismo movement and Mascagni’s greatest success, will precede Gianni Schicchi, the third opera of the Trittico cycle, Puccini’s late masterpiece. Both works were written by composers who shared the same stages and a similar idea of the operatic narrative, and each of whom provided a striking contrast between the two faces of Italy. On one side, the fiery Sicily described in Verga’s short story, where passions are as intense as the sun that crushes its villages, and its inherent fatality that leads to death. On the other side, the refinement of Dante’s medieval and popular, elegant and spiritual city of Florence, where the vis comica colours each instant with infectious humour. In short, two operas theatrically inspired and filled with memorable lyrical flights. Under the direc-tion of Speranza Scappucci, the Italian conductor whose career is rising rapidly, two casts will work unfailingly to render justice to the extreme tension of Mascagni’s music and the agility of Puccini’s score.
